A Finely Feathered Goose

Can I just open by saying that I have the world’s best job?  Honestly.  I see such amazing quilts come in and this one, pieced by the very accomplished piecer AND quilter, Joyce Hite, had me step back and admire the absolutely perfect paper piecing and precision in construction.  I mean, it sat as flat as a sheet of paper.  It was spotlessly ironed and is just an amazing rendition in solids of Judy Neimeyer’s Feathered Goose.  Usually, a JN quilt is done in batiks, but this was such a treat to see in solids.  It was striking:

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My client has shown in national quilt shows and her work, both piecing and quilting, is simply astounding to look at, so receiving this one from her to help her lighten the quilting load was exciting and daunting at the same time.  I mean, how could I possibly present a finished product as nicely as she constantly does?  Well, I championed my enthusiasm and jumped in with an acetate overlay to sketch out my ideas.  Once my client and I had our decisions made, it was loaded onto the longarm with Quilters Dream Blend batting and stitched out on my new 26″ Innova with Glide thread, top and bottom.  251,010 stitches and 15.25 hours later, this 60″x60″ quilt was done!…though it had shrunk to 59″ due to all the quilting 🙂

Here it is:

IMG_2314Quite the amazing result, don’t you think?  While I’m still getting comfortable with this new longarm and how it moves, I think it is going to be one fantastic machine.  Here are some detail shots:

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This is my view as the freemotion quilting takes place.  One thing that I love about this Innova is it’s field of vision.  Look at that!  You can see!  Even this open-toe hopping foot is tall enough for ruler work, which is great when you need to see where you are stitching, which, for me, is all the time 🙂

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Such fun colors with such depth of hue and perfect saturation.  Here are a few more shots:

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You can see the mix of ruler work and freemotion.  The diagonal lines were placed 1/4″ of an inch apart, making for some dense quilting.

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I chose to quilt the five medallions a little on the light side to give a break to all the dense areas and allow them to stand up a bit on the quilt.  The curly cues were a new fill for me, but all it took was a few minutes of practice on a fat quarter I loaded before I got how they traveled.  I rather like that fill!

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Some of these cream points were rather small, but that didn’t stop me from feathering them!  Like Joyce Hite, I much prefer dense quilting and this quilt certainly had a bit of that.

As if this all wasn’t some pretty cool news, I have even more news to share… The Threadworks Factory and this 26″ Innova with Lightening Stitch will be sporting an Intelliquilter computer on it in the next few weeks.  I will be able to stitch both freemotion AND digitally (and even on the same quilt!) in just a few week’s time.  I’m thrilled to make this addition to my company and I know this partnership of this servo driven computer will create amazing things for you.

Shoot me an email if you’d like to entertain me quilting your next top.

Have a great day and I hope you have a little time with which to be creative!

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Wedding Bells

First off, let me just say that I truly have the best clients.  The kindness, love and charity that they show on a regular basis simply astounds me.  Sometimes, a quilt comes in that is being donated to charity and the quilt maker wants something nice done.  Sometimes, it’s a gift to their Mother and sometimes, it’s a wedding gift.  I understand this.  My second and third quilts went to my family members.  I am only piecing my fourth currently.  But, this quilt that this blog is about is simply a stunner.  The fabrics and hues and pattern were just all perfect.  The piecing was spot on and great care went into it.  It truly showed.  The border was an added touch and this quilt top sparkled with it.

My client brought in the magazine from which she got the pattern and wished for her quilt to be quilted the same way.  We only made two changes… We added intermittent feathers in the white blocks to help dress them up a tad and since she put a border on it, we ran feathers up the border.

Here it is:

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A more detailed look at it:

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My client brought Warm and Natural cotton batting for this quilt, which will give it an aged/antique look once it is washed.  I used glide thread throughout this quilt.

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I placed a freemotion feather along the edge, marking in chalk the spine for it and placing a corner element to it to help dress it up.

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This was such a gorgeous quilt and the pictures just don’t do the vibrancy of it justice.  I am sure the receiver of this beautiful quilt is just going to be stunned by it.  Such care of work went into it and I was honored to longarm it for this very special occasion.  May this union be truly blessed.

Have a fantastic day and I hope you get a little time with which to be creative!

Red, White and Quilted

Today we have up a recent finish on a custom quilting job done on a red and white quilt.  This quilt is from a good customer of mine who works in the quilting industry and will be selling a book entitled “Red, White and Quilted”, by Linda Lasco.  My customer (www.quiltedchristmas.com), fell in love with a quilt in that book, quilted by the world renowned longarmer, Margaret Solomon Gunn, and wanted her quilt longarmed just like Margaret did it.

So, it was up to me to study the picture and mark out this quilt for such a fantastic design produced by Ms. Gunn.  Onto the frame it went, and half a workweek later, it rolled off absolutely stunning.  Everything was quilted with rulers and freemotion.  I do not have a computer on my BRAND NEW Innova longarm currently. (If you’re interested in checking Innova longarms out, you can visit www.accomplishquilting.com.)

I used two layers of quilters dream batting… blend on the bottom and wool on the top… to give great relief.  I also used glide thread in three colors: white, red and an aged gold thread.

Without further delay, here are the results:IMG_1891

The quilting process involved rulerwork first on the diamond areas in order to keep things as straight as possible.

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Once the rulerwork was done, it was off to fill all of the areas of quilting.  A simple continuous curve pattern was run in many of the red and white squares, followed with a running feather placed around two of the focal diamonds in the larger white blocks.

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The centers of the focal diamonds were microquilted into a very dense fill so that they were nearly embroidered.  Feathers and pebbles were placed around it.

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The feathers had a slight arc of their spine to help give them just a touch of movement.  the spine of these feathers was marked with a water soluble “Mark-B-Gone” pen, but no rulers were used to stitch the feathers out… the spine marking was simply there to help guide me.

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I just loved the detail work in the quilting.  Margaret Solomon Gunn did a fantastic job of quilting the original out and it was inspiring to recreate her work.

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My customer brought me the most lovely backing fabric and I just adored the end result.

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Have a fantastic day.  I hope you get to spend a little time being creative.

 

Christmas in June?

Seems a little off to me, but maybe that’s just me.  I guess, when your customer owns this Christmas quilting website (Quilted Christmas), your mind is never far from the 25th of December.  And, so goes this next quilt.  This was a digital panel that my customer brought to me, hoping that I could make this panel look like a quilt in time for the launch of this new Moda pattern.

She requested a double layer of batting and a quilting job that would render this as much of a pieced quilt look as possible.  So, we brought out two layers of batting:  Quilters Dream Blend for the base and Quilters Dream Wool for the top layer.

My customer has many years in the quilting business and knew exactly how she’d like this quilted, so I took her inputs and worked them up in my style of longarming.  As you learn longarming, you’ll learn that you have your own unique style, much  like your own handwriting, and while you can vary the look of things, they begin to take on a very identifiable trademark of sorts.  I guess I am no different and I am beginning to see that!

This digital panel from Moda, called Sugar Plum Christmas, needed a lot of stitch in the ditch in order to pop each “piece” as though it were appliqué and not remain in the “printed” look it started life as.  Ditchwork is tedious and tiring and often requires rulers.  When it’s a digital print like this one, there is no ditch to guide yourself along in, so it’s even slower and more tedious.  We plodded along…

You would think, by now, that I would remember to take a picture of the quilt top BEFORE it is quilted, but I seem to be lacking a few extra brain cells with which to record something like that.  So, let us all just skip ahead a bit and give the reveal!

Without further adieu, here is:

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Moda’s Sugar Plum Christmas, Quilted by Patricia Hechler at The Threadworks Factory for www.quiltedchristmas.com

This was fully free motion custom quilted, as I do not have a computer on my longarm.  Glide thread was used throughout and there were just 2 colors used–red and white.  The border spine was pre-marked with a Bohin chalk pencil and that was it.  Let’s look at the details a bit closer up:

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Moda’s Sugar Plum Christmas, Quilted by Patricia Hechler at The Threadworks Factory for www.quiltedchristmas.com

 

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Moda’s Sugar Plum Christmas, Quilted by Patricia Hechler at The Threadworks Factory for www.quiltedchristmas.com

And here are some even closer images:

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Moda’s Sugar Plum Christmas, Quilted by Patricia Hechler at The Threadworks Factory for www.quiltedchristmas.com

 

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Moda’s Sugar Plum Christmas, Quilted by Patricia Hechler at The Threadworks Factory for www.quiltedchristmas.com

I placed a freemotion holly and curl spine in the red borders and it added such a cute touch. I also echoed the stars to help pop the out a bit more.

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Moda’s Sugar Plum Christmas, Quilted by Patricia Hechler at The Threadworks Factory for www.quiltedchristmas.com

 

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Moda’s Sugar Plum Christmas, Quilted by Patricia Hechler at The Threadworks Factory for www.quiltedchristmas.com

 

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Moda’s Sugar Plum Christmas, Quilted by Patricia Hechler at The Threadworks Factory for www.quiltedchristmas.com

 

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Moda’s Sugar Plum Christmas, Quilted by Patricia Hechler at The Threadworks Factory for www.quiltedchristmas.com

 

Well, that does it for this installment of “What Came Off My Longarm”.  Until next time, I hope that you get the chance to be creative!

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