Let’s Go Visit Arcadia Avenue

Today’s blog is a very special one to me, with a custom quilt that I was told by my client, the amazing Geri Schick, to do my thing on because she had faith in me.  I cannot tell you how wonderful it is to have clients that have that kind of trust.  Piecing a top takes a lot of both time and money and to be put in care of this next step in the process is just an amazing feeling.

Before I show you the final results, I really want to take you on a “walk” to Arcadia Avenue (the pattern name for this quilt!) and show you a few aspects of prepping for a custom quilt job.  Let’s get started!

When a quilt comes in, I like to take some time with my customer to go over the things they like to see for quilting patterns (traditional/modern, feathers/flowers/lines, pebbles/swirls, etc.) and the things they don’t care for.  In learning just that, I can start to formulate ideas.  Sometimes, I’ll ink those ideas onto clear acetate and place it over the quilt, to show right on the spot.  Other times, I need to let the quilt “marinate” in my mind and stew around for a bit before I present the ideas in the form of an email with pictures.  Once my client agrees with my design ideas, the quilt gets marked, loaded, and quilted.  Let me show you first this quilt, as it was, before quilting.  You may be able to see some faint chalk lines in the blue areas:IMG_2522

This quilt is what I consider to be fairly heavy custom quilting, all freemotion, so the quilt had to be marked with linework to define the spines of feathers and other rulerwork.  First, I lay a piece of clear acetate over the quilt and mark my idea with a dry erase marker.  I then use my rulers and place them on the designs to determine the size of circle rulers to use and the spacing that will exist between straight lines.  I write on that acetate those dimensions so that I know as I roll the quilt and lose view of what has been done:

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Then, I lay those rulers on the quilt, center them along the centerline so that they are equally spaced along that centerline from side to side and I mark on the quilt where the spine rests:IMG_2525

Time to stitch that spine with the ruler:IMG_2530

Next, I get to stitch the feathers in along that spine and fill up the quilt with all the quilting detail.  For each of the pieced hexagons, I did the same thing…marking my design out on acetate over the quilt so that I knew how I wanted to treat each area.  Here are the finished results:

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And, the closer details:IMG_2571

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And, the amazing paper piecing of Geri Schick and how each hexagon was quilted:IMG_2568

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I am really pleased with the results.  I am so happy that Geri Schick decided to bring this quilt to me and I would love to see this hanging at a future show so that I pay it a visit once again…  It’s always nice to get to see quilts like this again and they’re missed once they go out the door with their owner 🙂

If you have a quilt you’d like to send my way, please go to my “contact me” tab and drop me an email.  I would love to bring your quilt top to life.

Have a fantastic day and I hope you get the time to be creative.

Author: threadworksfactory

I'm a licensed landscape architect who is married with three wonderful step-kids and a wonderful granddaughter. My husband and I share our passion of racing and have very hectic summers. I made my first quilt over a decade ago and waited another 8 years to tackle my second. Doing so fostered a passion to completely "build" a quilt and my third quilt saw me realize my dream to design, construct and longarm a quilt. This was made for a very special person....my mom!

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