Today we have up a recent finish on a custom quilting job done on a red and white quilt. This quilt is from a good customer of mine who works in the quilting industry and will be selling a book entitled “Red, White and Quilted”, by Linda Lasco. My customer (www.quiltedchristmas.com), fell in love with a quilt in that book, quilted by the world renowned longarmer, Margaret Solomon Gunn, and wanted her quilt longarmed just like Margaret did it.
So, it was up to me to study the picture and mark out this quilt for such a fantastic design produced by Ms. Gunn. Onto the frame it went, and half a workweek later, it rolled off absolutely stunning. Everything was quilted with rulers and freemotion. I do not have a computer on my BRAND NEW Innova longarm currently. (If you’re interested in checking Innova longarms out, you can visit www.accomplishquilting.com.)
I used two layers of quilters dream batting… blend on the bottom and wool on the top… to give great relief. I also used glide thread in three colors: white, red and an aged gold thread.
Without further delay, here are the results:
The quilting process involved rulerwork first on the diamond areas in order to keep things as straight as possible.
Once the rulerwork was done, it was off to fill all of the areas of quilting. A simple continuous curve pattern was run in many of the red and white squares, followed with a running feather placed around two of the focal diamonds in the larger white blocks.
The centers of the focal diamonds were microquilted into a very dense fill so that they were nearly embroidered. Feathers and pebbles were placed around it.
The feathers had a slight arc of their spine to help give them just a touch of movement. the spine of these feathers was marked with a water soluble “Mark-B-Gone” pen, but no rulers were used to stitch the feathers out… the spine marking was simply there to help guide me.
I just loved the detail work in the quilting. Margaret Solomon Gunn did a fantastic job of quilting the original out and it was inspiring to recreate her work.
My customer brought me the most lovely backing fabric and I just adored the end result.
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Seems a little off to me, but maybe that’s just me. I guess, when your customer owns this Christmas quilting website (Quilted Christmas), your mind is never far from the 25th of December. And, so goes this next quilt. This was a digital panel that my customer brought to me, hoping that I could make this panel look like a quilt in time for the launch of this new Moda pattern.
She requested a double layer of batting and a quilting job that would render this as much of a pieced quilt look as possible. So, we brought out two layers of batting: Quilters Dream Blend for the base and Quilters Dream Wool for the top layer.
My customer has many years in the quilting business and knew exactly how she’d like this quilted, so I took her inputs and worked them up in my style of longarming. As you learn longarming, you’ll learn that you have your own unique style, much like your own handwriting, and while you can vary the look of things, they begin to take on a very identifiable trademark of sorts. I guess I am no different and I am beginning to see that!
This digital panel from Moda, called Sugar Plum Christmas, needed a lot of stitch in the ditch in order to pop each “piece” as though it were appliqué and not remain in the “printed” look it started life as. Ditchwork is tedious and tiring and often requires rulers. When it’s a digital print like this one, there is no ditch to guide yourself along in, so it’s even slower and more tedious. We plodded along…
You would think, by now, that I would remember to take a picture of the quilt top BEFORE it is quilted, but I seem to be lacking a few extra brain cells with which to record something like that. So, let us all just skip ahead a bit and give the reveal!
Without further adieu, here is:
This was fully free motion custom quilted, as I do not have a computer on my longarm. Glide thread was used throughout and there were just 2 colors used–red and white. The border spine was pre-marked with a Bohin chalk pencil and that was it. Let’s look at the details a bit closer up:
And here are some even closer images:
I placed a freemotion holly and curl spine in the red borders and it added such a cute touch. I also echoed the stars to help pop the out a bit more.
Well, that does it for this installment of “What Came Off My Longarm”. Until next time, I hope that you get the chance to be creative!
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What a trip that was. My sister and I traveled 5.5 hours to Paducah, Kentucky to take in the AQS Spring Paducah Quilt Week and what a week it was. Back in December, 2016, on a whim, I entered the first quilt that ever came off my longarm (or domesic or mid arm, for that matter), and lo and behold, it somehow made it into this juried show. We were in route to see it hang and this prestigious event!
The weather looked to be spots of rain and cooler temperatures, but that didn’t deter us. We had plans! We light out early Tuesday morning for the hotel. If you’re ever in Paducah, look up Auburn Place. This is a charming hotel that sits nearly across the street from the famed Hancocks of Paducah. Auburn Place, so nicely manicured inside and out, always looks brand new with each passing year. Friendly staff great you with each arrival and if you’re parched, so does fresh lemon water. If you have a sweet tooth, all you have to do is find yourself busy until the early evening and then head downstairs for fresh cookies and milk. Every. Night. No. Kidding.
We checked in and then immediately high-tailed it to Hancock’s of Paducah before we drove downtown and parked at the event center. We stopped just long enough to record this moment in time, snapping a picture of the locomotive parked by the famous Paducah floodwall:
We made our way through the door and helped ourselves to some hors d’oeuvres, realizing, when the food line led to a number of empty serving trays, that the 4:30 start time listed on the tickets really meant more like 3:30. Lesson learned!
We got to take in the awards presentation and when AQS dropped the top class winners, from the ceiling of the theatre, fully illuminated, we were thoroughly mesmerized.
When the awards were done, we trapsed across downtown Paducah by foot to the convention center, where we were able to speak to the Best of Show winner, Janet Stone. That was humbling! Janet took the show with her “Ewe Are My Sunshine” and promptly decided to take the money and run. I believe she was awarded $20,000 by giving up her rights to her masterpiece and turning it over to the care of AQS for future display and full ownership.
My sister and I made our way over to my entry, “Digging In The Dirt”. It was so cool to see it hanging there. My sister Shari Heinrich snapped this picture for posterity.
Off we went to take in the sites of over 400 quilts from 47 states and 15 countries! What an honor to be recognized with just my first quilt off the longarm. I have a LONG way to go to ever consider my work capable of netting a ribbon at Paducah, but I have my eye on a prize! I’ll explain more of that in a bit.
Shari and I went back to our hotel, exhausted from the day, several miles of walking, five and half hours of driving and hundreds of quilts seen. There would be more time to see more things, buy more items, and build more memories. First, there was this thing called sleep.
Each morning, Shari and I would take in the free breakfast at Auburn Place, helping ourselves to a little bit of biscuits and gravy and some yogurt. Then, every morning, we drove downtown, parked the van, and heading straight to Kirchoff’s Bakery and Etcetera Coffee. I honestly don’t know of any better bakery OR coffeehouse in the United States. It was that good.
I would head to the Convention Center, and sometimes my sister came with me. Other times, she stood her ground downtown and hung out by the river, spending her time writing her next literary piece. She’s got a novel written and she’s currently searching out a publisher. I’m hoping that 2017 is the year she lands a publishing contract! If you’d like to see her blog, here it is. You can even sign up to follow her if you like!
Onto quilts, I say! We have officially made it to the “Eye Candy” part of this blog post! Bring on those stunning quilts!
This one, entitled, “Flowered and Feathered Frenzy” was made by Susan K. Cleveland of Minnesota. The solid colors were just so eye-catching and it won first in it’s class.
Next up is my personal favorite from the show, and one of the big winners. It must be the Registered Landscape Architect in me, but I just adored the entire quilt. From fabric choices, to design, to quilting, this one really took my heart.
Talk about composition and movement. This quilt had it all. I felt that the piecing was going to drip onto the floor at some point. It was stunning!
I just kept going back to this next quilt each day, to study it a little more and to take in all that color. The gradation on this quilt was something else. If you needed cheering up, this was the quilt for you. It didn’t ribbon, but it was certainly a show-stopper in my book.
And, here was the winner in our class, Large Bed Quilt, First Entry into AQS Paducah. We had around 36 quilts in our class, which I believe was one of the biggest classes in the show. Congratulations to Ben for winning a huge class.
Viewer’s Choice went to this lovely horse. The amount of quilting on this one was absolutely fantastic and the horse’s mane looked like it was flowing off of the quilt. Talk about effective quilting and fabric painting! I was so happy to see this one ribbon!
This was such a stunning quilt with an emmense amount of quilting done on it. I just kept going back to examine all the work put into this quilt. It’s hard for me to imagine why this one didn’t ribbon, but there is just so much hard work accomplished in these pieces that the award often is just making it into this show.
This next one was in the Modern Category and while that category isn’t my cup of tea, I did really find this one impressive.
Taking it’s class for Group Quilts was this impressive red and white quilt. It’s hard to believe that a guild put this one together, due to it’s complete uniformity and precision on every single stinking block! I have to say, there are some incredibly talented guilds out there.
This last quilt was one of my favorites as well and has won numerous ribbons throughout the AQS Quilt Show season. Talk about precision in quilting. The gemstones were a perfect touch.
I got to take a few classes with national teachers and find a few things I was in need of. My sister and I had a great time having some great food and meeting some great people (though we were completely remiss in continuing our training for our upcoming half marathon). I can safely say that the half marathon, the Cincinnati Flying Pig, went off with only a few hitches and we both completed it in great spirits!
Even with me stating that I was not going to make another show quilt, I got the bug to think about my next show quilt and I promptly grabbed up fabric for it! I can honestly say that I think I have everything needed for my next attempt to make it into and AQS show! Give me a few years!
On top of that, after days of mulling things over and test driving, with my sister egging me on the whole time, I have decided to trade in my A1 Platinum longarm and move over to Innova. In just over a month’s time, I will become an “Innovian”, working with a larger 26″ throat on a 12′ frame with lightening stitch. I’m very excited. There is no computer just yet, but that may come in the future. The A1 that I used will be up for sale at Accomplish Quilting, and I will blog their page and the particulars when it is on the market. It’s a great machine with many newer upgrades, including the awesome Platinum stitch regulator, Beautiful orange locking wheels installed by me, custom deck graphics designed by me and 0-center leaders installed by me.
(UPDATE: My A1 longarm was purchased prior to it making it’s way to Accomplish Quilting’ store. It is already in its new home and my new Innova is under roof!)
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I hope you all have a fantasic day and you get to spend a part of it being creative.
Well, they are, aren’t they? My local quilt shop kindly referred me to a customer. My shout out goes to them: The Little Shop of Stitches. Such a wonderful shop and such a great customer they brought me.
Ms. Deanna Allen embroidered and pieced a Marilyn Monroe quilt she designed. This was such a striking piece at nearly 75″ wide and 84″ long. We consulted and my customer picked out Quilters Dream Wool batting. This batting is washable and dryable and has fantastic loft and softness. It really is dreamy!
I sat down over the next few days when thoughts popped into my head and it wasn’t long before I figured out what I thought would be the perfect compliment of straight lines and curves. Deanna had seen a feather border I had done and she really wanted it onto her quilt. Done!
The quilt was laid out and a Bohin chalk pencil (www.quiltersapothecary.com) was used to mark the spine of the border feather. I also marked on the inside of the quilt for where I was going to place huge feathers (ala Bethanne Nemish) to help take up the space within the red areas of the interior. The quilt wasn’t quite square and the width varied by just under 3″, but we had a plan to address this and take some of the ripple out of it. The interior body was marked as such:
The outer border had just the spine marked as such:
I used glide thread throughout this quilt, stitching in the ditch where needed. I placed a vertical line design in the pictorial border to help offset all the curves that were going to be stitched out. It provided great interplay of design work.
Some of the detail work, with the “Nemishing” visible, along with the feather border detail.
I chose to treat the four sides of the border separately, as there was a black sash that separated them. So, the feather was wrapped and ended on each end of the four borders. The feather was made up of heirloom feathers, ribbons and curled feathers so that there was major drama in this area. I mean, we are talking Marilyn Monroe here!
The embroidery work just blew me away. Deanna did such a fantastic job of capturing Marilyn Monroe and her mystique. It was a beautiful quilt and I was so glad to be a part of this quilt’s journey. Deanna is one talented quilter!
Thank you for stopping by and popping in for a spell. I have several more blogs to drop here in the next few weeks, so stay tuned!
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Have a fantastic day and I hope you get a little chance to create!
To see our newest video on hook feathers, watch this:
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Thank you for your visit and I hope you have a wonderfully fantastic day! Take care.
Dare I tell you what that title is all about? Well, let’s get to it, then! This custom quilt job was recently completed on what is called a “One Block Wonder”. So named because the fabric for the main part of the body is created by fussy-cutting a single piece of fabric. My dear customer who is prolific at quilting (I have no idea how she does it, leading such a busy and fabulous life), created this masterpiece of precision and perfect fussy-cutting and allowed me the honor of free-motion custom quilting this.
My goal in tackling this, after my nervous reaction of “Oh, boy, is sure hope I don’t ruin this gorgeous quilt” was to think about the piecing of it and let the piecing process drive the quilting. I wanted to help unify the quilt and the floral theme of the fabric, so I set about designing, after taking a picture of it and printing it out. I also drew up a life-sized hexagon in AutoCAD and printed out a bunch of them, so that I could design at full scale. Eight Different designs were drafted out for the hexagons, all carrying a “flower” type design. When I had them drawn at full scale, I picked out the rulers that would be used on each one and marked those drawings so that I had complete understanding of how each would be done.
Here it is all quilted:
The triangle edge was pebbled, in order to recede it and allow the hexagons along the edge to pop out more. A custom border was applied through free-motion with a simple curl and leaf pattern. I wanted to carry the flower theme there, but I did not want the border to upstage the body of the quilt in any fashion. A cute flower was placed in the corner of each border to added effect.
You can see the randomization of the blocks. To achieve this, I numbered each of my patterns from 1-8 and wrote over the top of my picture printout. That became my “instructions” and along with the pattern sketches, which I dimensioned. I had the perfect roadmap to break this quilt down into simple-to-understand directions.
It was fun to watch this quilt “grow”. Row by row and advance by advance, things really started to take shape. I used two different thread colors for the stitching and monofilament for the stitch in the ditch on the borders and cubes.
I loved seeing how the different areas of the quilt expressed different things all due to the fabric patterns. I cannot believe this quilt’s body was cut from one fabric, what with all the colors that went on. My customer showed me the initial fabric, and that was an eye-opener for what all became of it once pieced. This was truly a spectacular quilt and the piecing was amazingly accurate.
And from the back:
I used two layers of batting. The base was a layer provided by my wonderful customer, and I believe it may have been a Pellon cotton. The top layer was Quilters Dream Wool. It’s such an amazing product that holds it’s bounce tremendously well and it’s a favorite of mine.
I used glide thread in a medium purple and medium blue. With that slight sheen of this amazing polyester trilobal thread, it was perfect for this very showy and bright quilt. I was so happy (and relieved) that my customer loved her quilt. I get handed a very big dose of responsibility with each quilt I am given, and I’m so happy when my customer is happy. That makes everything worth it!
If you’d like to learn more about me, you can explore this website. If you’d like to see some educational videos on how to longarm, please visit my youtube channel, The Theadworks Factory. Many thanks for stopping in to visit. I appreciate your time!
First off, Happy St. Patrick’s Day to you! My love of Irish music and my past life, living in Dublin, Ohio, make today a very special day today. I have to admit, I was saddened when I took a DNA test for ancestry and found zero Irish in me. It won’t keep me from playing jigs and reels, however!
Onto quilting, I say! I am very lucky to have a dear customer provide me some beautiful quilt tops as of late. She is such an interesting person who has lived such an interesting life and it’s very neat to learn more about her as our friendship grows. I’ve quilted more tops for her in a month than I, myself, have made!
This blog is about one of these quilts; one that I picked up at my local quilt shop (www.thelittleshopofstitches.com) and ohh’d and ahhh’d over. All this negative white space really excited me, as it presented some great opportunities to showcase custom quilting. It sparkled! It glistened like a freshly fallen snow and it was just much more magnificent than any picture could show. We were off to design! I snapped this picture, printed it out, and placed a sheet of tracing paper over the picture so that I could doodle away until I found the perfect design. Well, that didn’t take long… my first design was perfect. When you see a quilt that you love, the designing of it goes smoothly. Your mind’s eye has already started to dabble with ideas and this one was just going to be gorgeous.
Armed with my sketch, I began quilting. All the sashing was stitched in the ditch. This was for two reasons: 1. I wanted to help pop them out a little, since I wasn’t going to be taking the block design into them and, instead, would be quilting them as stand-alone blocks and, 2. Because I was going to be traveling in those seams to travel within each block for quilting purposes. It would look silly, on the back, to only travel part way in the seam of the sashing. So, before each block was quilted, all the sashing was stitched in the ditch. This is a time-consuming process, but very worth the effect it brought.
You can see, now the finished block. The light blocks and the white areas were all stitched with a cream thread. This allowed the thread to just slightly appear over the white areas and to pop a bit on the lightly colored areas as well. for the dark purple and dark blue areas, a slightly lighter hue of the same color was used. This also allowed the threads to slightly appear. There was a LOT of ruler work on this quilt, but it sure makes for a beautiful finish.
A picture from slightly farther back. Now you can see the darker blocks and how the rays in them helped to give a bit more movement to the block.
Wow! What a gorgeous quilt with all this quilting! 202,791 stitches in this beautiful piece. I was sad to see it leave my sight, but so happy to return this to its rightful owner. I’m going to miss this one, but I’m happy to have some pictures of it for keeps.
And the back… what about that back! I love backings that allow the quilting to show through and this one was perfect.
So ends another project with more custom quilts on the horizon! I’m going to have a full week next week, dabbling with designs and then, with sweet sorrow, parting with them, but I just love longarming. My clientele is growing and I have to say, I have just the nicest quilters. I get to live vicariously through them and I get to submerse myself in all sorts of quilting genres and I just love that!
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Have a wonderful day and I do hope you get to make some time for yourself!